Edgar Poe's video: Edgar Allan Poe Volume 5 Section 31: The Sleeper

Edgar Allan Poe, Volume 5, Section 31: The Sleeper The poem that would become "The Sleeper" went through many revised versions. First, in the 1831 collection Poems of Edgar A. Poe, it appeared with 74 lines as "Irene." It was 60 lines when it was printed in the Philadelphia Saturday Courier on May 22, 1841. Poe considered it one of his best compositions, according to a note he sent to fellow author James Russell Lowell in 1844. Like many of Poe's works, the poem focuses on the death of a beautiful woman, a death which the mourning narrator struggles to deal with while considering the nature of death and life. Some lines seem to echo the poem "Christabel" by Samuel Taylor Coleridge, a poet known to have had a heavy influence on Poe's poetry. Poe praised "The Sleeper" as a "superior" poem. He wrote to an admirer: "In the higher qualities of poetry, it is better than 'The Raven'—but there is not one man in a million who could be brought to agree with me in this opinion." THE SLEEPER. At midnight, in the month of June, I stand beneath the mystic moon. An opiate vapour, dewy, dim, Exhales from out her golden rim, And, softly dripping, drop by drop, Upon the quiet mountain top, Steals drowsily and musically Into the universal valley. The rosemary nods upon the grave; The lily lolls upon the wave; Wrapping the fog about its breast, The ruin moulders into rest; Looking like Lethe, see! the lake A conscious slumber seems to take, And would not, for the world, awake. All Beauty sleeps!—and lo! where lies (Her casement open to the skies) Irene, with her Destinies! Oh, lady bright! can it be right— This window open to the night? The wanton airs, from the tree-top, Laughingly through the lattice drop— The bodiless airs, a wizard rout, Flit through thy chamber in and out, And wave the curtain canopy So fitfully—so fearfully— Above the closed and fringed lid 'Neath which thy slumb'ring soul lies hid, That, o'er the floor and down the wall, Like ghosts the shadows rise and fall! Oh, lady dear, hast thou no fear? Why and what art thou dreaming here? Sure thou art come o'er far-off seas, A wonder to these garden trees! Strange is thy pallor! strange thy dress! Strange, above all, thy length of tress, And this all solemn silentness! The lady sleeps! Oh, may her sleep, Which is enduring, so be deep! Heaven have her in its sacred keep! This chamber changed for one more holy, This bed for one more melancholy, I pray to God that she may lie Forever with unopened eye, While the dim sheeted ghosts go by! My love, she sleeps! Oh, may her sleep As it is lasting, so be deep! Soft may the worms about her creep! Far in the forest, dim and old, For her may some tall vault unfold— Some vault that oft hath flung its black And winged pannels fluttering back, Triumphant, o'er the crested palls, Of her grand family funerals— Some sepulchre, remote, alone, Against whose portal she hath thrown, In childhood, many an idle stone— Some tomb from out whose sounding door She ne'er shall force an echo more, Thrilling to think, poor child of sin! It was the dead who groaned within.