Euphonious Synth's video: RABINDRA SANGEET AUDIO JUKEBOX EUPHONIOUS SYNTH USE HEADPHONES FOR BETTER PERFORMANCE

LIKE SHARE AND COMMENT AND SUBSCRIBE MY CHANNEL. THANKS Follow euphonious synth on Instagram euphonious_synth https://instagram.com/euphonious_synt... CHECK MY MORE VIDEOS:- https://www.youtube.com/watch?v=IOXFlT89Vjc https://www.youtube.com/watch?v=lQ_mbmOXVTc https://www.youtube.com/watch?v=R1C3BYGF9e0 https://www.youtube.com/watch?v=3BzEcL9pJVY https://www.youtube.com/watch?v=NgCYyfdbrgI https://www.youtube.com/watch?v=Tk-ibSigLdk https://www.youtube.com/watch?v=LGyglj_hnkI https://www.youtube.com/watch?v=GIkP9b2yXTg https://www.youtube.com/watch?v=wl4-Bc7sW7Y https://www.youtube.com/watch?v=ObnyOww12g8&t=1s https://www.youtube.com/watch?v=FA0J_U4Zb9k https://www.youtube.com/watch?v=kFFXxnWp2cI https://www.youtube.com/watch?v=98_EBRrGk-o https://www.youtube.com/watch?v=mj1A7HSkItw https://www.youtube.com/watch?v=G2qXGRWBqTI https://www.youtube.com/watch?v=yojU7mjPiSs https://www.youtube.com/watch?v=eZdotCgTol4 I’m using this video for entertainment and music purposes. I absolutely oblige the respective owners of this song. I’m having no intension to claim the rights. Copyright © disclaimer under Section 107 of the Copyright Act 1976 allowance is made for fair use for purposes such as criticism, comment, news, reporting , teaching etc.. fair use is a use permitted by copyright statute that might otherwise be infringing. Nonprofit, educational or personal use tips the balance in favour of fair use........ Rabindranath Tagore FRAS (/rəˈbɪndrənɑːt tæˈɡɔːr/ (About this soundlisten); born Robindronath Thakur,[1] 7 May 1861 – 7 August 1941),[a] and also known by his sobriquets Gurudev,[b] Kabiguru, and Biswakabi, was a polymath, poet, musician, and artist from the Indian subcontinent.[4][5] He reshaped Bengali literature and music, as well as Indian art with Contextual Modernism in the late 19th and early 20th centuries. Author of the "profoundly sensitive, fresh and beautiful verse" of Gitanjali,[6] he became in 1913 the first non-European to win the Nobel Prize in Literature.[7] Tagore's poetic songs were viewed as spiritual and mercurial; however, his "elegant prose and magical poetry" remain largely unknown outside Bengal.[8] He is sometimes referred to as "the Bard of Bengal".[9] A Brahmo from Calcutta with ancestral gentry roots in Jessore, Tagore wrote poetry as an eight-year-old.[10] At the age of sixteen, he released his first substantial poems under the pseudonym Bhānusiṃha ("Sun Lion"), which were seized upon by literary authorities as long-lost classics.[11][12] By 1877 he graduated to his first short stories and dramas, published under his real name. As a humanist, universalist, internationalist, and ardent anti-nationalist,[13] he denounced the British Raj and advocated independence from Britain. As an exponent of the Bengal Renaissance, he advanced a vast canon that comprised paintings, sketches and doodles, hundreds of texts, and some two thousand songs; his legacy also endures in the institution he founded, Visva-Bharati University.[14][15][16][17][18] Tagore modernised Bengali art by spurning rigid classical forms and resisting linguistic strictures. His novels, stories, songs, dance-dramas, and essays spoke to topics political and personal. Gitanjali (Song Offerings), Gora (Fair-Faced) and Ghare-Baire (The Home and the World) are his best-known works, and his verse, short stories, and novels were acclaimed—or panned—for their lyricism, colloquialism, naturalism, and unnatural contemplation. His compositions were chosen by two nations as national anthems: India's Jana Gana Mana and Bangladesh's Amar Shonar Bangla. The Sri Lankan national anthem was inspired by his work.[19][20][21] In 1901 Tagore moved to Santiniketan to found an ashram with a marble-floored prayer hall—The Mandir—an experimental school, groves of trees, gardens, a library.[56] There his wife and two of his children died. His father died in 1905. He received monthly payments as part of his inheritance and income from the Maharaja of Tripura, sales of his family's jewellery, his seaside bungalow in Puri, and a derisory 2,000 rupees in book royalties.[57] He gained Bengali and foreign readers alike; he published Naivedya (1901) and Kheya (1906) and translated poems into free verse. In November 1913, Tagore learned he had won that year's Nobel Prize in Literature: the Swedish Academy appreciated the idealistic—and for Westerners—accessible nature of a small body of his translated material focused on the 1912 Gitanjali: