FoliesEspagne's video: Folie d Espagne C P E Bach by James Bonn Dulcken Fortepiano

Composer Carl Philipp Emanuel Bach (1714-1788) Title:12 Variationen auf die Folie d'Espagne in d mineur Wq118/9 H263 (1778): Performer James Bonn Dulcken Fortepiano Released 1982 Klavier Records vinyl KS-571 Recording date: not indicated in the documentation This recording is a milestone in the history of the Folía. The first thematic recording with only four "later" Folías in the typology of Richard Hudson: C.P.E. Bach, Liszt, Pasquini and Rachmaninoff. Maurice Hinson wrote for the vinyl album: The music of Johann Sebastian Bach's second and most talented son, Carl Philipp Emanuel, is an encyclopedia of fundamental tonal procedures. There is art intrinsic quality in Bach's keyboard music which stands apart from the music of later composers, despite the tendency of commentators to consider it mainly as art ovenure to the schools of Viennese classicism. A study of his work reveals a unique musical consciousness, and a pioneering mind of considerable subtlety. The set by C.P.E. Bach is entitled 12 Variations auf die Folie d'Espagne W. 118 and is one of his most original works. Unusual modulations and changes of key, unorthodox motives, rhythmic changes, brilliant and expressive keyboard treatment make for heightened interest through-out. The bare set of chords used by Bach could be placed by a more interesting version of the theme and Mr. Bonn treats it in effective triplets. Variation one carefully shares material between the hands while variation two has a brooding atmosphere of repressed power. Special mention should be made of variation three which achieves a magnificent and modern?sounding effect in virtue of "wrong notes" subtly inserted into the arpeggiation. Variation four is mainly imitative while variation five is especially striking as the bass figure is pursued remorselessly to the final cadence. Variation six exploits a "sigh" motif while variation seven partakes of keyboard acrobtics a la Scarlatti. Variation eight is written in a slow French overture style with contrasting dynamics and serves as art introduction to variation nine that is permeated with fleet figurations. Variation ten is imitative between the hands. Variation eleven is a study in syncopation to the final three bars where smooth rhythms take over. The final variation is a perpetual?motion idea with specific fingering indicated by the composer. The music published in this channel is exclusively dedicated to divulgation purposes and not commercial. This within the framework to study the archtype of La Folía which involves people around the world. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform me immediately before you submit a claim to Youtube, and it will be our care to remove immediately the video accordingly. Your collaboration will be appreciated