MT- TVC15's video: TIN MACHINE ROCK N ROLL BABY HURT LEAKED DEMOS

Three tracks ~ "You Belong in Rock n' Roll" "Baby Universal" & "A Big Hurt" from The Tin Machine Studio Tape Of Outtakes & Alternate Mixes Leaked In 2008 Recorded in September-October 1989, Studios 301, Sydney You Cant Talk demo https://www.youtube.com/watch?v=vyCP4UEnZEM Following txt from The Excellant Bowie Songs Website Pushing Ahead of the Dame States ( https://bowiesongs.wordpress.com/2015... ) n December 1990, Bowie and EMI divorced, with mutual recriminations. Bowie groused about what he considered poor promotion of Never Let Me Down and Tin Machine, while EMI pointedly noted that the best-charting Bowie album of the past half-decade had been a Rykodisc reissue (ChangesBowie had hit in the UK the past March). Bowie’s world tour in 1990 did little to promote any EMI record. Now Bowie was offering them another Tin Machine album, and one with such enticements as “Stateside” and “A Big Hurt.” EMI passed; Bowie split. MT butts in A BIG HURT is my favourite EVER track LOLOLOOL Though he’d loved to complain about his labels, Bowie had been built, in part, by RCA and EMI, by their worldwide sales channels, their sacks of promotional dollars. The labels had been irritated about putting out a Low or a Tin Machine, but they still bought trade ads and in-store promo material for them, they still made the records available for someone in Kankakee to buy, they still had pushed them on the radio, if indifferently. If clueless and occasionally corrupt, the dinosaur labels that had released the bulk of Bowie’s oeuvre had provided a level of patronage that’s inconceivable for a musician of Bowie’s bent today. Even Bowie would never have its like again—he spent the Nineties as a free agent, jumping from label to label, sometimes going it alone, always on the hustle, and so offering a preview of the lot of the average pro musician in 2012. So in 1991, for the first time in nearly 25 years, Bowie didn’t have a record deal, and all he had to sell was a waning commercial reputation and some promo mixes of Tin Machine II. His back catalog, having been freshly licensed off, couldn’t be used as bait. So amidst filming The Linguini Incident and an episode of Dream On (the latter had one of Bowie’s best camp performances), Bowie wearily flogged TMII to a number of labels. Around March 1991, he found a taker. Victory Music was the first-ever US-based label launched by a Japanese company, the electronics giant JVC. With former Atlantic Records exec Phil Carson hired to run it, Victory pursued a cut-rate strategy of picking up “classic rock” icons past their prime. Hence its first signings: Emerson, Lake and Palmer and Tin Machine. (Victory would soon sign Yes and Paul Rodgers, then mercifully expired around 1994). As Tin Machine II would be Victory’s first big release, the label wanted the Machine back in the studio to shine up the record.... This channel never has & never will carry advertisements the only ads you will find are those enforced by copyright claims & fair dues to those that are entitled I upload sorely for the love of the music Hope you find something to enjoy xx Big Thanks, Love on ya MT This video is dedicated to the principals behind the rock against racism movement Rock Against Racism was a groundbreaking movement which staged marches, festivals and concerts from 1976-81 with the aim of fighting racism through music If you enjoy the content of my channel please Like & Share the video's Subscribe & click the bell for notifications of uploads etc etc You know the drill MTRudeBoy claims no rights to sound or vision