Poetry Reading Live's video: Allen Ginsberg reads Howl Remixed

Allen Ginsberg 1926–1997 Allen Ginsberg One of the most respected Beat writers and acclaimed American poets of his generation, Allen Ginsberg enjoys a prominent place in post-World War II American culture. He was born in 1926 in Newark, New Jersey, and raised in nearby Paterson. The son of an English teacher and Russian expatriate, Ginsberg’s early life was marked by his mother’s psychological troubles, including a series of nervous breakdowns. In 1943, while studying at Columbia University, Ginsberg befriended William Burroughs and Jack Kerouac, and the trio later established themselves as pivotal figures in the Beat Movement. Known for their unconventional views, and frequently rambunctious behavior, Ginsberg and his friends also experimented with drugs. On one occasion, Ginsberg used his college dorm room to store stolen goods acquired by an acquaintance. Faced with prosecution, Ginsberg decided to plead insanity and subsequently spent several months in a mental institution. After graduating from Columbia, Ginsberg remained in New York City and worked various jobs. In 1954, however, he moved to San Francisco, where the Beat Movement was developing through the activities of such poets as Kenneth Rexroth and Lawrence Ferlinghetti. Ginsberg first came to public attention in 1956 with the publication of Howl and Other Poems. “Howl,” a long-lined poem in the tradition of Walt Whitman, is an outcry of rage and despair against a destructive, abusive society. Kevin O'Sullivan, writing in Newsmakers, deemed “Howl” “an angry, sexually explicit poem” and added that it is “considered by many to be a revolutionary event in American poetry.”The poem's raw, honest language and its “Hebraic-Melvillian bardic breath,” as Ginsberg called it, stunned many traditional critics. James Dickey, for instance, referred to “Howl” as “a whipped-up state of excitement” and concluded that “it takes more than this to make poetry.” Other critics responded more positively. Richard Eberhart, for example, called “Howl” “a powerful work, cutting through to dynamic meaning…It is a howl against everything in our mechanistic civilization which kills the spirit…Its positive force and energy come from a redemptive quality of love.” Paul Carroll judged it “one of the milestones of the generation.” Appraising the impact of “Howl,” Paul Zweig noted that it “almost singlehandedly dislocated the traditionalist poetry of the 1950s.”