Quietophone's video: Tame Impala Yes I m Changing Binaural Version 432 Hz

Yes I'm Changing by Tame Impala converted to 432 Hz and binauralised (delta and theta brain waves). Enjoy! I was raging, it was late In the world my demons cultivate I felt the strangest emotion but it wasn't hate, for once Yes I'm changing, yes I'm gone Yes I'm older, yes I'm moving on And if you don't think it's a crime you can come along, with me Life is moving, can't you see There's no future left for you and me I was holding and I was searching endlessly But baby, now there's nothing left that I can do so So don't be blue There is another future waiting there for you I saw it different, I must admit I caught a glimpse, I'm going after it They say people never change, but that's bullshit, they do Yes I'm changing, can't stop it now And even if I wanted I wouldn't know how Another version of myself I think I found, at last And I can't always hide away Curse indulgence and despise the fame There's a world out there and it's calling my name And it's calling yours, girl it's calling yours too It's calling yours too, it's calling yours too, it's calling yours too It's calling out for you Arise and walk, come through Someone beyond that door is calling out for you Arise and walk, come through It's calling out for you Arise and walk, come through Someone beyond that door is calling out for you Yes I'm Changing is a song by the Australian rock band Tame Impala from their third studio album Currents. Currents features styles of psychedelic pop, disco, R&B, and electropop, but the album's chord progressions and rhythms are most indebted to R&B. Kevin Parker listened to R&B from the 1990s during recording, which he had forced himself to reject while growing up due to peer pressures. He said, "Music guys aren't allowed to be into R&B when they are teenagers because all the teenybopper kids blast that shit in their cars." As such, learning to let go of preconceptions and embracing the music felt liberating to him. He had previously refrained from making his music more pop-oriented because he thought "indie-music snobs would turn their nose up at it," and he discovered that writing pure pop music was a challenge. Parker attributed his openness on Currents to producer Mark Ronson, whose album Uptown Special he collaborated on. Many of the songs were composed over several years, both in the studio and on the road. Parker saved ideas using a voice recorder on his phone, and wrote many songs on a drum machine. Guitars are present in every song on Currents, but are used to accompany and answer other instruments. This was partially due to his gear being inaccessible: "We'd finish one tour in say, Europe, go home for two weeks, and all our gear, including my guitars and pedals, would be on their way to South America." He had a larger array of synthesizers at his home studio, which allowed them to become the prominent instrument. He said, "It's really just whatever is sitting around when I think of the song." The album incorporates Parker's falsetto, as well as a vocoder. The lyrical themes of Currents centre on personal transition and growing older. Parker's lyrics on the album are entirely autobiographical. His vocals are clearer and less affected than in prior Tame Impala releases, which is partially owed to him having more pride in his lyrics; he said he hoped it would be easy for listeners to understand them. Parker considered the primary theme of the album to be a "deep feeling of transition in your psyche," or, in a broad sense, fully entering adulthood. He began learning about the concept of the Saturn return halfway through the recording process, which explained his feelings of reflection. He said, "I was halfway through making the album when I heard about it, and it gave what I was doing a lot more meaning; suddenly things made a lot more sense."Accordingly, on the album his reaction to transition is acceptance, exemplified by the opening song, "Let It Happen". Parker also felt buying the home where he recorded Currents "really changed my perspective about where I saw myself, like a place that I belonged." Currents has also been frequently characterised as a breakup album. Prior to recording, Parker made the decision to break up with French singer-songwriter Melody Prochet. Several songs on the album examine it from his angle as the instigator of the breakup, which consists of guilt and self-questioning. Parker downplayed the notion that the album was entirely aimed at former lovers, however, and likened it to an inner monologue: "It's really me talking to myself, another part of myself... to my old self, the part of me that resists change and wants me to stay as I am." For Parker, the album meant "looking forward and a sudden adoption of confidence." The album's title reflects this, with currents being "these unstoppable forces; the parts of you that are trying to change you." Currents received acclaim from music critics.