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Satura Stramoine's video: Omar Faruk Tekbilek - Whirling full album

@Omar Faruk Tekbilek - Whirling (full album)
"Omar Faruk Tekbilek is one of the foremost Middle Eastern musicians. Known primarily for his work on the Ney, he is also a master of Middle Eastern percussion (Darbuka, Bandir, etc.), double reed instruments such as the Zurna and Mijwiz, and the guitar-like Baglama and Jura. In 1971, already an established musician in Turkey, Faruk toured Europe and the United States for the first time. Eventually Faruk moved to Upstate New York, where he now lives. Since coming to the United States in 1976, Faruk has recorded and performed with several notable musicians including: Arif Mardin, jazz musicians Don Cherry and Karl Berger, and rock drummer, Ginger Baker. He has made concert appearances worldwide including the Kool Jazz Festival, and the Israeli Music Festival. Whirling marks Faruk’s debut as a solo recording artist. Joining Faruk on the recording are Middle Eastern musicians Ara Dinkjian on Oud, Hassan Isikkut on Kanun, and Arto Tuncboyaciyan on percussion. Arto’s group, Night Ark, is an ensemble well known in Greece, Turkey, and other Middle Eastern regions. Brian Keane adds guitar and his subtle, atmospheric orchestrations. Whirling, like Faruk’s other recordings, is over an hour long and contains an oversized insert with photos." "The great musical traditions of the Middle East include serene, meditative courtly works; and the continually building, relentlessly propellant music that drives the famed Whirling Dervishes to spiritual ecstasy. These haunting, timeless sounds still echo through the years, and those echoes have now reached the United States. Whirling is Omar Faruk Tekbilek's first recording as a soloist. Here, Tekbilek presents a full range of traditional and contemporary Middle Eastern music that will appeal to Western listeners and fans of the early Celestial Harmonies recordings. Whirling's diverse music includes new compositions by Tekbilek and Brian Keane, and also features a beautiful new version of an early work by Deuter, the contemplative La Ilaha Il Allah. The recording begins with a traditional Sufi work associated with the Mevlevi or Whirling Dervishes. Tekbilek, plays an impressive array of instruments on Whirling, including the instruments he is most often associated with, the ney flute and the lute known as baglama. Tekbilek's arsenal also includes lesser known instruments like the Arabian clarinet and Turkish oboe, as well as a battery of jar drums and frame drums, and the Western accordion. Guest musician, Brian Keane, contributes atmospheric washes of guitar and synthesizer, and a small but select ensemble of Middle Eastern musicians round out the sound with Arabian lutes, zither, and percussion." Buy the album here : http://www.omarfaruktekbilek.com/product/whirling/ 1 - Whirling Dervish 0:00 2 - Gawazi 10:46 3 - Love Respect Truth 17:03 4 - Old Man's Dance 24:13 5 - Long Wait 28:54 6 - Moments Of Doubt 34:55 7 - Caspian Winds 40:15 8 - Fly Away 44:58 9 - La Ilaha Il Allah 49:40 10 - Sultan Of The Hearts 55:07 Subscribe to my channel : https://www.youtube.com/channel/UCM-AWvXvybgrQi6loxVI7eQ _ _ _ _ _ _ _ _ _ _ Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

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This video was published on 2018-01-15 05:53:38 GMT by @Satura-Stramoine on Youtube. Satura Stramoine has total 24.1K subscribers on Youtube and has a total of 61 video.This video has received 454 Likes which are lower than the average likes that Satura Stramoine gets . @Satura-Stramoine receives an average views of 67.3K per video on Youtube.This video has received 9 comments which are lower than the average comments that Satura Stramoine gets . Overall the views for this video was lower than the average for the profile.

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