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Skeleton Archives's video: Fran ois de Roubaix - Percussions

@François de Roubaix - Percussions
Never before released on LP, the complete original soundtracks of French cult film composer François de Roubaix for director Yves Boisset. Two films that embody the two sides of Francois de Roubaix’s approach to recording. For “Le Saut de L’Ange” (1971), the self-taught composer wrote an orchestration for some fifty musicians playing strings, woodwinds, brass and percussion with two distinct solo instruments alternating the main theme: Indian Sitar on the one hand and accordion on the other. This beautiful score creates the seam that binds Bangkok to Marseille, the two places where the action takes place. R.A.S (1973) was recorded on a 8-track tape recorder, in François de Roubaix’s home studio rue de Courcelle, where most of his 70’s scores were recorded. The result is a mix of military-march rhythms, rolls on the snare-drum with sounds of Synthi AKS syntheziser: de Roubaix invented a modern sound for this contemporary-History tragedy. credits released June 18, 2018 Musique composée et dirigée par François de Roubaix Enregistré et mixé par Jean-Pierre Pellissier au Studio Davout / Comédie des Champs-Elysées Production Exécutive : Sébastien Rosat - Jonathan Fitoussi Texte: Stéphane Lerouge Coordination Juridique : Léo Puy Graphisme : Jean-Philippe Talaga Photos : DR – Le Saut de L’Ange © 1971 Studiocanal Transversales disques © 2018 https://transversales.bandcamp.com/track/percussions-version-bonus

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This video was published on 2018-12-07 12:25:59 GMT by @Skeleton-Archives on Youtube. Skeleton Archives has total 5.1K subscribers on Youtube and has a total of 120 video.This video has received 4 Likes which are lower than the average likes that Skeleton Archives gets . @Skeleton-Archives receives an average views of 12.5K per video on Youtube.This video has received 1 comments which are lower than the average comments that Skeleton Archives gets . Overall the views for this video was lower than the average for the profile.

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