Jim Dunne's video: Ballerina 12 24 and Liberty - Steve Vai - original recording with Naked Tracks

I put in a few screw-ups on purpose so I wouldn't have to deal with endless ZOMG FAKE comments :-D. I included all the relevant information on how to reproduce the tone and effects in the description below. The pitch shifter effect on Ballerina 12/24 was recorded direct from the g-major effects unit since I can't reproduce it well enough with what I have offline. From there I just switched on the lead channel via a MIDI controller and launched into Liberty! TONES: Triaxis is stereo out to G-Major stereo in G-Major is stereo out to EDIROL UA-1000 stereo in on 7-8 inputs EDIROL UA-1000 stereo 7-8 inputs are sent through Voxengo PristineSpace using "Centre -1 bottom speaker" impulse from GuitarHack's "Louder JJ Powertube Impulses Full Set Straight" impulse collection (google it - easy to find). After Voxengo there is a high-pass filter at 120 Hz to cut the lows out from the guitar and then a stereo reverb plugin from Cakewalk to give it some space. Clean: Triaxis: RHY GREEN, GAIN 3.5, TREB 10, MID 5.0, BASS 2.0, MASTER 3.0, PRES 7.0, DV 0.0, FX LOOP ON G-Major: Compressor: Thresh -13 dB, Ratio: 4.0:1, Attack 2.0 ms, Release 300 ms, Gain 2 dB Pitch: Subtype Shifter, Voice1 900cent, Voice2 500 cent, Pan1 50L, Pan2 50R, Dly1 96 ms, Dly2 192 ms, FB1 0%, FB2 0%, Level1 0 dB, Level2 0dB, Mix 62%, OutLev 0 dB Reverb: Subtype Plate, Decay 2.1 s, PreDly 20 ms, Shape Round, Size Huge, HiCol Clear, HiFact 15, LoCol Tight, LoFact 0, RoomLv -5 dB, RevLev -7 dB, Diffus 0, Mix 30%, OutLev 0 dB Lead: Triaxis: LD2 GREEN, GAIN 9.0, TREB 6.5, MID 9.0, BASS 1.0, LD2 DRIVE 8.0, MASTER 8.0, PRES 5.0, DV 0.0, FX LOOP ON G-Major: Compressor: Thresh -15 dB, Ratio 4.0:1, Attack 1.0 ms, Release 140 ms, Gain 3 dB Delay: Subtype PingPong, Dly 479 ms, Tempo 1/4, Width 50%, FB 41%, FBHcut Off, FBLcut 100.0 Hz, Mix 33%, OutLev 0 dB