l33g0's video: LEE BUL Exhibition Sara Hild n Art Museum Sara Hild nin taidemuseo in Tampere Finland

Seoul-based Lee Bul is one of South Korea’s most internationally acclaimed artists. Her exhibition at the Sara Hilden Art Museum (23.9.2023–14.1.2024) is the first extensive showing of her work ever seen in Finland. It presents two decades of art featuring sculptures, installations and paintings. https://www.sarahildenintaidemuseo.fi/en/ Earlier in her career, Lee staged performances clad in self-made sculptural costumes, or wearable soft sculptures. In 1997, free-standing sculpture became her primary medium. Lee made her international breakthrough between 1997 and 1999 after presenting Majestic Splendor (1997), a room-wide installation of rotting fish decorated with shiny beads and sequins at New York’s Museum of Modern Art in 1997. Her success coincided with the wider breakthrough of Korean contemporary art. Lee combines influences from many sources, ranging from science fiction, art history and architecture to the history of Europe and her native South Korea. She is interested in how South Korea’s rapid transformation from a military dictatorship into democracy in the 1980s gave rise to clashing narratives of progress and success versus experiences of conflict and misfortune. Since the turn of the millennium, Lee has been exploring human relationships with technology and its untold possibilities, while also probing the darker undercurrents associated with the rapid pace of digital progress. Lee’s exhibition at the Sara Hildén Art Museum includes sculptures from her Mon grand récit series, mixed-media pieces from her Willing to Be Vulnerable series, and paintings from her new Perdu series. The Mon grand récit series deals with utopian thinking and humankind’s pursuit of a perfect society as manifest in cities and feats of architecture. One of the key works in the exhibition is Willing To Be Vulnerable – Metalized Balloon (2015–2019), a sculpture of an airship. Other works from the same series will also be featured, including an installation of fabric formations and collages on velvet. The title of the Perdu series refers to Marcel Proust’s series of novels In Search of Lost Time. Small flecks of mother-of-pearl glimmer on the surface of the paintings, reflecting Lee’s interest in leaving visible traces of her process. Her paintings consist of superimposed layers of paint and mother-of-pearl, which she slowly sands down, allowing the colours and shapes to emerge partly by chance. Lee’s art engages in oblique social commentary. She opposes all forms of totalitarianism, also in art. Her aesthetic idiom evades definition, and her choice of material is guided by whatever seems thematically pertinent.Lee often deliberately uses contrasting materials, such as organic silk and mother-of-pearl combined with synthetic fibreglass and silicone. Mother-of-pearl holds special fascination for the artist: it is a beautiful product of suffering, being formed by molluscs to repair internal wounds. Multiple histories are intertwined in Lee’s art: the history of thought and human emotion, South Korean society through the ages, and the artist’s personal life story. The exhibition is partly a continuation of the Lee Bul exhibition at the Gothenburg Museum of Art, which marked Lee’s solo debut in the Nordic region. The exhibition at the Sara Hildén Museum was curated in collaboration with the artist, her studio, Galerie Thaddaeus Ropac, and the Gothenburg Museum of Art. The Sara Hildén Art Museum museum is situated on the beautiful shores of Lake Näsijärvi in Tampere, South Finland. The museum is located next to to the Näsinneula observation tower (Näsinneulan näkötorni) and the Särkänniemi amusement park (Särkänniemek huvipuisto). The museum building was designed by Pekka Ilveskoski Architects. It opened in 1979 at the same time as the sculpture park that surrounds it. The lovely Café Sara is located downstaris in the museum building. The Sara Hildén Art Museum focuses on international modernism and contemporary art. The museum, maintained by the City of Tampere, is the permanent home of the collection of the Sara Hildén Foundation, which was founded in 1962. The foundation’s collection has more than 5 000 works of modern and contemporary art, including works by Joan Miró, Francis Bacon, Paul Klee and Alberto Giacometti. Among the latest works to have been acquired are pieces by Kiki Smith and Marcel Dzama. Finnish modern and contemporary art is represented by a wide range of works by some of Finland’s most renowned artists. Sara (Saara) Ester Hildén (1905–1993) was a Finnish businesswoman and art collector. She developed an interest in contemporary art. In the 1950s, Sara Hildén established successful fashion shops in the cities of Tampere and Lahti in Finland. In 1961 she was able to build an outstanding collection of contemporary Finnish art which was expanded over the years to include items from the world's top international artists. In 1962, it became the basis of the Sara Hildén Foundation.