pangea's video: The Swerve - How the World became Modern

One of the startling pieces of information Greenblatt shares with the lay reader is just how few classical works managed to crawl into the Middle Ages. Greenblatt tells us that: "Apart from [some] charred papyrus fragments recovered from [a villa near Pompeii], there are no surviving contemporary manuscripts from the ancient Greek and Roman world. Everything that has reached us is a copy, most often very far removed in time, place and culture from the original. And these copies represent only a small portion of the works even of the most celebrated writers of antiquity. [For instance,] [o]f Aeschylus' 80 or 90 plays and the roughly 120 by Sophocles, only seven each have survived." One of the world's most celebrated scholars, Stephen Greenblatt has crafted both an innovative work of history and a thrilling story of discovery, in which one manuscript, plucked from a thousand years of neglect, changed the course of human thought and made possible the world as we know it. Nearly six hundred years ago, a short, genial, cannily alert man in his late thirties took a very old manuscript off a library shelf, saw with excitement what he had discovered, and ordered that it be copied. That book was the last surviving manuscript of an ancient Roman philosophical epic, On the Nature of Things, by Lucretius—a beautiful poem of the most dangerous ideas: that the universe functioned without the aid of gods, that religious fear was damaging to human life, and that matter was made up of very small particles in eternal motion, colliding and swerving in new directions. One of the ancients whose works seemed to have completely disappeared in what Greenblatt calls the "great vanishing" was the Roman poet Lucretius, whose name was mentioned in some other classical works that did survive. On a fateful January day in 1417, the intrepid Poggio found himself in the library of a German monastery and reached up for a manuscript. It turned out to be the only surviving copy of Lucretius's poem, "On the Nature of Things" — a rich, dangerous, mind-blowing poem written around 50 B.C., whose ideas, Greenblatt says, would jumpstart the Renaissance and lay the groundwork for Modernity.