rest4wicked's video: S rgio Mendes 4 5 - Vienna Austria July 2nd 2011 Fernw rme Wien Jazz

Sérgio Santos Mendes born February 11, 1941 is a Brazilian musician. He has released over thirty-five albums, and plays bossa nova heavily crossed with jazz and funk. The child of a physician in Niterói, Brazil, Mendes attended the local conservatory with hopes of becoming a classical pianist. As his interest in jazz grew, he started playing in nightclubs in the late-1950s just as bossa nova, a jazz-inflected derivative of samba, was emerging. Mendes played with Antonio Carlos Jobim (regarded as a mentor) and many U.S. jazz musicians who toured Brazil. Timeless features a wide array of neo-soul and alternative hip hop guest artists, most prominently will.i.am and The Black Eyed Peas. It was released February 14, 2006 by Concord Records. It features The Black Eyed Peas, Erykah Badu, Black Thought, Jill Scott, Chali 2na of Jurassic 5, India.Arie, John Legend, Justin Timberlake, Q-Tip, Stevie Wonder and Pharoahe Monch. The 2006, re-recorded version of "Mas que Nada" with The Black Eyed Peas had additional vocals by Gracinha Leporace (Mendes' wife); a version that is included on his album Timeless. In Brazil, the song is pretty well-known for being the theme song for the local television channel Globo's Estrelas. The Black Eyed Peas' version also contains a sample of their 2004 hit "Hey Mama". The re-recorded song became popular on many European charts. On the UK Singles Chart, the song entered at and rose to and peaked at on its second week on the chart. Gracinha Leporace is a female Brazilian singer known most notably for her work with her husband Sérgio Mendes and his band. She has featured regularly in much of the group's releases over the last four decades and, most recently, can be heard as the Portuguese-singing female vocal in the hit Mas que Nada (featuring The Black Eyed Peas) from the 2006 album Timeless and in the Baden Powell de Aquino composition Berimbau/Consolação from the same album, in which she provides the lead vocal. Though his early singles with Brasil '66 (most notably "Mas Que Nada") met with some success, Mendes really burst into mainstream prominence when he performed the Oscar-nominated Burt Bacharach and Hal David song "The Look of Love" on the Academy Awards telecast in April 1968. Brasil '66's version of the song quickly shot into the top 10, peaking at and eclipsing Dusty Springfield's version from the soundtrack of the movie, Casino Royale. Mendes spent the rest of 1968 enjoying consecutive top 10 and top 20 hits with his follow-up singles, "The Fool on the Hill" and "Scarborough Fair." From 1968 on, Mendes was arguably the biggest Brazilian star in the world, enjoying immense popularity worldwide and performing in venues as varied as stadium arenas and the White House, where he gave concerts for both Presidents Lyndon B. Johnson and Richard Nixon. The Brasil '66 group appeared at the World Expo in Osaka, Japan in June 1970. Sergio became full partners with Richard Adler, a Brooklyn-born American who had previously brought Bossa Trés plus two dancers, Joe Bennett and a Brasilian partner, to appear on the Ed Sullivan Show, in 1963. He was also accompanied by Antonio Carlos Jobim; Flavio Ramos, and Aloisio Olivera, a Record and TV producer from Rio. The Musicians Union, only allowed this group to appear on one TV show; one club appearance (Basin Street East) before ordering them to leave the U.S. When the new Group, Brasil '65 was formed, Shelly Mann, Bud Shank and other West Coast musicians, got Sergio and the others into the local Musicians Union. Adler and Mendes formed Brasil '65 which consisted of Jorge Ben, Wanda Sá, and Rosinia de Valença, as well as the Sergio Mendes TRIO. Various changes were made, Albums recorded at Atlantic Records, and Capitol, before Adler and Mendes agreed to record songs in English, by famous American and British composers, and added two girls up front to make the group visually appealing, and to create a unique sound. Adler called a friend, Jerry Dennon In Seattle, who called Herb Alpert and Jerry Moss to arrange an audition for A&M Records at their studio in the Hurok Building in Hollywood. They were signed to a contract and recorded Sergio Mendes & Brasil '66, and changed the name to be like Herb's group, Herb Alpert and The Tijuana Brass. Adler had introduced Mendes to Tito Puente, whom Adler had worked with for 3 years, to co-write a song, or for Sergio to record one of Puente's songs. Sergio refused, Santana recorded 'Oye Como Va' and the Santana & Puente relationship began. Mendes formed the Sexteto Bossa Rio and recorded Dance Moderno in 1961. Touring Europe and the United States, Mendes recorded albums with Cannonball Adderley and Herbie Mann and played Carnegie Hall. Mendes moved to the U.S. in 1964 and cut two albums under the Sergio Mendes & Brasil '65 group name with Capitol Records and Atlantic Records.